Carlos/Ishikawa showing in the the Art Basel Miami Beach Online Viewing Room from 2–7 December 2020.
To view the artworks in person, book here. Wednesdays & Saturdays, 2–19 December 2020.
Special event: Oscar Murillo & Olu Odukoya discuss their recent book collaboration By means of a Detour.
Join live on Zoom (here) Friday 4 December, 3pm GMT.
Tosh Basco fka boychild
Crawlspace in your palm, 2018
graphite on paper
92 x 67.5 x 2 cm
36 1/4 x 26 5/8 x 3/4 in
(CI-TB-0002)
Tosh Basco fka boychild
Wrist Flick Obfuscations, 2018
graphite on paper
92 x 67.5 x 2 cm
36 1/4 x 26 5/8 x 3/4 in
(CI-TB-0003)
“Movement is a way for me to think about the social implications embedded in the choreographies of space. When and how and where people are allowed to move. In what ways one can move. Improvisation holds space for movement in constraint. For some of us, more than others, enclosure is a familiar condition. Capitalism’s chase, it’s algorithmic appetite. These hand dances are notations, sifting compo-sitions with the world’s moments enfolded.”
–Tosh Basco fka boychild
Bendt Eyckermans
Het masker, 2020
Oil and acrylic inks on linen
186 x 154 x 2.5 cm
73 1/4 x 60 5/8 x 1 in
(CI-BE-0083)
Bendt Eyckermans
Vaarwel en De toren, 2020
Oil and acrylic inks on linen
191 x 141 x 2.5 cm
75 1/4 x 55 1/2 x 1 in
(CI-BE-0084)
Stuart Middleton
Flaxyard Amanda Red, 2020
Coloured pencil on paper
59.4 x 84.1 cm (23 3/8 x 33 1/8 in);
64 x 88.5 x 2.5 cm (25 1/4 x 34 7/8 x 1 in) framed
(CI-SM-0099)
Stuart Middleton
Lower Croft Nimrod 2, 2020
Coloured pencil on paper
59.4 x 84.1 cm (23 3/8 x 33 1/8 in);
64 x 88.5 x 2.5 cm (25 1/4 x 34 7/8 x 1 in) framed
(CI-SM-0102)
Oscar Murillo
manifestation, 2019-2020
Oil, oil stick, cotton thread and graphite on canvas and linen
190 x 160 cm
74 3/4 x 63 in
(CI-OM-0254)
Sable Elyse Smith
Coloring Book 66, 2020
Silkscreen ink, oil sticks, oil pastel on paper
152.4 x 127 cm (60 x 50 in)
162 x 136 cm (63 3/4 x 53 1/2 in) framed
(CI-SES-0016)
“Smith has worked over illustrations from an educative handbook for juveniles exposed to the justice system in vast, waxy multicolour scrawls and scratches. They offer, to coin a phrase, a travesty of justice [...] Like the motto on an imperial crest, a legend runs along the bottom: ‘If we all work together, we can make the world a better place.’ For all its childish simplicity, this series conjures the experience of a system in which the rules are unknown and the odds are stacked like loaded dice.”
–Matthew McClean, Frieze Magazine, 2019
Evelyn Taocheng Wang
Eight View of Oud-Charlois, No.2, 2019
mineral color, tea, acrylic on rice paper
51 x 111 cm (20 1/8 x 43 3/4 in);
63.7 x 123.5 x 5 cm (25 1/8 x 48 5/8 x 2 in) framed
(CI-ETW-0019)
Evelyn Taocheng Wang
Eight View of Oud-Charlois, No.4, 2019
mineral color, tea, acrylic, and fabric sewed on rice paper
51 x 111 cm (20 1/8 x 43 3/4 in);
63.7 x 123.5 x 5 cm (25 1/8 x 48 5/8 x 2 in) framed
(CI-ETW-0020)
Issy Wood
Me with a dish I later broke, 2020
Oil on linen
145 x 110 x 5 cm
57 1/8 x 43 1/4 x 2 in
(CI-IW-0477)
Issy Wood
Study for a Dumbo sequel, 2020
Oil on velvet
40.5 x 100.5 x 5 cm
16 x 39 5/8 x 2 in
(CI-IW-0603)
