Selected Work

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Person 31 - 60, 2019
Silkscreen print, found rings, 59.5 × 99 cm (23 × 39 inches) each of six frames; 121 × 302 cm (47 5/8 × 118 7/8 inches) overall installed
Installation view, Panorama 94, Art Basel Statements, Basel, 2019

Panorama 94 examines a collection of 94 rings that were lost then found throughout the New York City Subway system in 2016. The Metropolitan Transportation Authority stored each ring for one year in the hope that they would be reclaimed by their respective owners. The rings were documented by colour and material before being archived with a detailed description and unique number for the MTA’s records. Salane acquired the lot and has since been working with a biology lab to extract potential traces of mitochondrial DNA left behind on each ring, an intuitive reader to search for any spiritual information imbued within these objects, and a pawnshop to appraise their material values. Presented with this assortment of collected insights, we are asked to consider parallel notions of value and truth as we recall the lineages of the individual in a public environment, the individual within the city, and the individual within a global population.

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Exhibitions at Carlos/Ishikawa

Rose Salane
All These Events Are True, But None of Them Happened
1 Mar – 14 Apr 2018

Selected Press & Texts

Selected Publications

CV

b. 1992, USA
Lives and works in New York

2014, BFA Fine Arts, Cooper Union
2019, MA Urban Planning, Bernard & Anne Spitzer School of Architecture, CUNY

Selected Solo Exhibitions

2021
C21OWO, Hessel Museum of Art, Bard College, Annandale-On-Hudson, New York

2019
MIT List Visual Arts Center, Cambridge, Massachusetts

2018
Indigo 237, Carlos/Ishikawa at Company, Condo New York
All These Events Are True, But None of Them Happened, Carlos/Ishikawa, London

2015
High From the Other Side, Jeffrey Stark, New York
Who Isn’t Seeing Someone?, Four A.M., New York

2014
The Stairwell, Cooper Union, New York
The Collection, Cooper Union, New York

Selected Group Exhibitions

2022
Fear of Property, The Renaissance Society, University of Chicago
Whitney Biennial: Quiet as It’s Kept, Whitney Museum of American Art, New York
Return Sale, Abrons Arts Center, New York
Holding On To It, Heidi Gallery, Berlin

2021
New Museum Triennial: Soft Water and Hard Stone, New Museum, New York
Vegyn, Anonymous Gallery, New York
Parallel Construction, St. George's Church, Little Syria, New York
Tacet, Gems, New York
De Por Vida, Company, New York

2019
Forget Sorrow Grass: An archaeology of Feminine Time, Guangdong Times Museum, Guangzhou, China
Fixing the “not… but”, LC Queisser, Tbilisi, Georgia

2018
The Hard Facts on Tragedy in April, Lomex, New York

2017
The Skies and the Atmosphere’s Most Luscious, Allen and Eldridge at James Fuentes Gallery, New York

2016
Trust Issues (curated by Ryan Steadman), Ronchini Gallery, London
Spring Awakening, Francesca Pia, Zurich
No Hope, No Fear (curated by Daniel Peterson), Swiss Institute, Rome

2015
The Written Trace (curated by Ariella Wolens), Paul Kasmin Gallery, New York

Selected Artist Talks

2022, School of Visual Arts, New York
2022, Columbia University, New York
2022, Hunter College, City University of New York
2022, Rose Salane: Lost & Found, Rose Salane in conversation with Jurrell Lewis (Art21), The Whitney Museum of American Art, New York
2020, The Savannah College of Art and Design
2019, Rose Salane in conversation with Carol Paszamant, MIT List Visual Arts Centre
2018, On Timing / On Search / On eBay / On Value / On Icons / On Autographs / On Authenticity, Rose Salane, hosted by Ian Wooldridge, Zurich University of the Arts (ZHdK)

Selected Awards

2022, The Pollock-Krasner Foundation Grant

Selected Residencies

2022, Pompeii Commitment: Materie archeologiche / Archaeological Matters, Archaeological Park of Pompeii

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