Darja Bajagić Biography Selected press
Save A Child, Kill A Pedophile ft. Sexy Cora, Dominno, Joseph Druce, Peggy Knobloch, and Beate Zschaepe
2017, acrylic paint, canvas, UV printed canvas, 208 x 199 cm
Deliver Us From Evil ft. Paige Chivers, Dominno, Joseph Druce, and Karlie Jade Pearce-Stevenson
2017, acrylic paint, canvas, UV printed canvas, 203 x 199 cm
Nobody Knows I'm Funny
2016, Installation view, Carlos/Ishikawa London
Bianca Brust
2016, acrylic-latex paint and UV print on canvas, hand-painted wooden frame, UV print on Plexiglas,
191 x 152 x 4.5 cm (head dimensions), 136 x 109.5 x 0.5 cm (puddle dimensions)
Bianca Brust (detail)
2016, acrylic-latex paint and UV print on canvas, hand-painted wooden frame, UV print on Plexiglas,
191 x 152 x 4.5 cm (head dimensions), 136 x 109.5 x 0.5 cm (puddle dimensions)
Maddy O'Reilly
2016, acrylic-latex paint and UV print on canvas, hand-painted wooden frame, UV print on Plexiglas,
180.5 x 155.5 x 4.5 cm (head dimensions), 126.5 x 116.5 x 0.5 cm (puddle dimensions)
Maddy O'Reilly (detail)
2016, acrylic-latex paint and UV print on canvas, hand-painted wooden frame, UV print on Plexiglas,
180.5 x 155.5 x 4.5 cm (head dimensions), 126.5 x 116.5 x 0.5 cm (puddle dimensions)
Kali Michaels
2016, acrylic-latex paint and UV print on canvas, hand-painted wooden frame, UV print on Plexiglas,
172 x 166 x 4.5 cm (head dimensions), 94 x 118 x 0.5 cm (puddle dimensions)
Kali Michaels (detail)
2016, acrylic-latex paint and UV print on canvas, hand-painted wooden frame, UV print on Plexiglas,
172 x 166 x 4.5 cm (head dimensions), 94 x 118 x 0.5 cm (puddle dimensions)
Nobody Knows I'm Funny
2016, Installation view, Carlos/Ishikawa London
Humans! Are You Afraid Of Being Who You Are? (detail)
2016, acrylic-latex paint, graphite, inkjet print on paper, hand-painted aluminum frame, 183 x 76.5 x 6.5 cm
Unlimited Hate
Installation view, Künstlerhaus, Halle für Kunst & Medien Graz, 2016
Unlimited Hate
Installation view, Künstlerhaus, Halle für Kunst & Medien Graz, 2016
Molly 2 (Cloak & Dagger)
2016, UV printed aluminum-brushed Dibond with motion activated liquid mechanism and shaped
MDF frame container / acrylic paint, canvas, 274 x 292 cm (canvas dimensions),
103 x 100.5 x 7 cm (dibond dimensions)
Molly 5 (Woods)
2016, UV printed aluminum-brushed Dibond with motion activated liquid mechanism and shaped
MDF frame container / acrylic paint, canvas, 273 x 292 cm (canvas dimensions),
100 x 79 x 7 cm (dibond dimensions)
I am not dead yet
2016, acrylic paint, canvas, UV printed canvas, 168 x 183 cm
I Know It’s Sick But It’s So Much Fun
2016, acrylic paint, canvas, UV printed canvas, 190.5 x 218.5 cm
I’m just glad satan loves me
2016, acrylic paint, canvas, UV printed canvas, 190.5 x 216 cm
undeRage headless goatriders
2016, acrylic paint, canvas, UV printed canvas, 185 x 203 cm
Suicidal Emotions (A Collage for Robert J. Bardo)
2015, Abyssic Hate - Suicidal Emotions silkscreen patch, acrylic paint, cow's blood,
clear vinyl fabric, latex paint, stage blood, UV print(s), 195 x 133 cm
Ex Axes - Pink Sweater (detail)
2015, print on axe, 33 x 2.5 x 13 cm
Ex Axes - Pink Sweater
2015, print on axe, 33 x 2.5 x 13 cm
I am a bobo doll (the clown blowup dolls with the sand in the bottom, you hit them and they fall sideways
to the floor but bounce back up...problem is leaks occur

2015, acrylic, canvas, cardboard, cow's blood, ink, paper prints, plastic drop-cloth, stage blood, UV print(s), 89 x 92 cm
I Killed KEight (goths have more fun ...)
2015, acrylic, canvas, found object (number 5), UV print(s), 162 x 86 cm
When Blood Runs Dark (as a part of Co-Workers)
Installation view, Musée d'Art Moderne de la Ville de Paris, 2015
Puddles of Blood - Go Ahead
2015, UV print on Plexiglas, 186 x 173 cm
Tears of Blood - Amy Fitzpatrick
2015, UV print on Plexiglas, 102 x 127 cm
Trash (All things come to pass)
2015, Acrylic, canvas, cow's blood, foam core, ink, paper print, plastic drop-cloth, self-adhesive plastic,
stage blood, trash-bag drawstring, UV print, wire mesh, 152 x 203 cm
Underground Fashion (Innocent Eyes Staked Innocently)
2015, Acrylic, canvas, cow’s blood, foam core, ink, paper print, plastic drop-cloth, self-adhesive plastic,
stage blood, trash-bag drawstring, UV print, wire mesh, 153 x 203 cm
I’m Invisible Just Assholes Can See Me
2014, mixed media on canvas, 170 x 140 cm
Dacha: scott-kimball-female-with-guns-in-each-of-her-hands-drawing-hand-signed-scott-kimball-2012
2014, pigment print, ephemera, plastic sleeve, aluminium frame, 89.5 x 107 cm
Dacha: scott-kimball-female-with-guns-in-each-of-her-hands-drawing-hand-signed-scott-kimball-2012 (detail)
2014, pigment print, ephemera, plastic sleeve, aluminium frame, 89.5 x 107 cm
Biography

Darja Bajagić (b. 1990, Podgorica, ME)
Lives and works in New York

MFA, Yale University School of Art, New Haven, CT, USA
BFA, Pacific Northwest College of Art (PNCA), Portland, OR, USA


Solo Exhibitions and Projects

2016
Nobody Knows I'm Funny, Carlos/Ishikawa, London
Unlimited Hate, Künstlerhaus, Halle für Kunst & Medien, Graz, Austria
Darja Bajagić, White Flag Library, Saint Louis, USA
Street Steve, The Window On Broad, Rosenwald-Wolf Gallery, The University of the Arts Philadelphia, USA

2015
The Offal Truth, New Galerie, Paris

Diesel, Bed-Stuy Love Affair, New York

2014
C6ld c6mf6rt., ROOM EAST, New York

2013
You Ve Been A Naughty Boy (...), Appendix Project Space, Portland, USA

Selected Two-Person Exhibitions

2015
Softer Than Stone And Sick In Your Mind, with Aleksander Hardashnakov, Croy Nielsen, Berlin

2014
Now Feel Bad, with Jared Madere, Interstate Projects, New York

Selected Group Exhibitions

2017
89Plus: Americans 2017, LUMA Westbau, Zurich
EWIG WEIBLICHE, Koppe Astner, Glasgow
Group Show, Tanya Leighton, Berlin
Black Feast, Simon Lee, New York

2016
Artists' Clothes Shop, Condo, Carlos/Ishikawa, London

2015
Water from the Nile, Lodos, Mexico City
Co-Workers, Musée d’Art Moderne de la Ville de Paris, Paris
The Humane Society, The Loon, Toronto
Filter Bubble, LUMA Westbau, Zürich
New Wave, The Goss-Michael Foundation, Dallas, USA
The End of Violent Crime, Queer Thoughts, New York
True Players, W139, Amsterdam, Netherlands
89plus / Poetry Will Be Made By All!, Moderna Museet, The Museum of Modern Art, Stockholm
Where the Awning Flaps, Galerie Éric Hussenot, Paris
The Subjects of the Artist, Michael Thibault, Los Angeles
Debris, James Fuentes, New York

2014
Private Settings: Art After the Internet, Museum of Modern Art Warsaw
Spain & 42 St., Foxy Production, New York
Time Remembered, William Arnold, New York
ABNORMCORE, ROOM EAST, New York
Infinitude, Roberts & Tilton, Los Angeles
Executive Producer, Museum of Contemporary Art in Oaxaca, Oaxaca, Mexico
Seau Banco Carbon, Tomorrow Gallery, New York
Episode 14, Middlemarch, Brussels
New Systems, New Structures 001 William Arnold, Brooklyn, New York
Is it too much to ask, not to hide behind the mask?, Old Room, New York
Alongside::D,A,K,A, Lodos Contemporáneo, Mexico City
USBs, Lodos Contemporáneo, Mexico City
Data.Mine Conflux, Neverland Space, on-line
Raid, Zürich
89plus / Poetry Will Be Made By All!, LUMA/Westbau, Zürich
Partners, LimaZulu, London
Milk of Human Kindness, Queer Thoughts, Chicago

2013
When all of my friends are on at once, on-line
Vision Quest 2013, Mana Contemporary, Chicago
Post Internet [part of the Festival for Fashion and Photography], Museum für angewandte Kunst Wien, Vienna
89plus CLUBHOUSE, [part of the 89plus Marathon], on-line
Contemporary Drawing, Fort Worth Drawing Center, Fort Worth, USA

2012
I’M TOO HIGH TO DEAL WITH THIS SHIT RIGHT NOW, ’72 Truck, Madrid
SNAFU, Oliver Francis Gallery, Dallas
Sculpture Garden, [part of the Great Poor Farm Experiment IV], Poor Farm, Little Wolf, USA
Socks, MermHaus, Portland, USA
Darja Bajagić, Alex Mackin Dolan, Kyle Raquipiso, Alex Ian Smith, Portland, USA
Neither Either Nor - Or But Both, 1dM, Chicago

2011
Art & Leisure, Colonel Summers Park, Portland, USA
Aspecific Sculpture, The Meat Market, Portland, USA

2009
Mixed: The Politics of Hybrid Identities [part of the Sixth Annual Ray Warren Multicultural Symposium], Lewis and Clark College, Portland, USA

Conferences

2013
89plus Colony Conference, moderated by Simon Castets and Hans Ulrich Obrist, MoMA PS1, New York
Amateuring Photography [part of the Critical Practice: Art in Conversation conference], Yale University Art Gallery Auditorium, New Haven, USA